The getting of the rabbit tattoo

July 6, 2011

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Perhaps you read the tale of how I came to the decision, despite having professed for years that I’d never ever want one, to go ahead and get a tattoo. Here, then, is the account of the experience, from designing the perfect rabbit suitable for permanent emblazonment to, tee hee, Sparky McFuzznuts the squirrel.

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I have drawn this rabbit a lot in the last year and a half, yet when it came time to draw one for the tattoo, well, I guess I experienced some performance pressure. I thought I’d whip one out in a maximum of ten rabbits. Turns out, it was fifteen pages of twenty-four rabbits. That’s just under one rabbit for each day of the year.

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I didn’t love any of them on paper, but I picked the ones that passed as my favorites, cut them out and taped them to a single sheet of paper, and scanned them in. As a graphic designer, I was confident in the digital magic that could be done. I narrowed it down to parts of three or four rabbits that I knew I could Frankenstein together for The One.

In choosing The One, I practiced what I’ve preached to my mother on many a Teddy bear shopping excursion. It’s true that there are ten or twenty Teddies to choose from. And I know you want to choose the one with the cutest face. But once you get any one of the ten or twenty home and away from the other nine or nineteen, you won’t know the difference.

Once I got the rabbits to where I liked them, I employed the same strategy. It came down to one rabbit with two minor variations. I knew that once I got one away from the other, I’d never know the difference. Having also learned from playing Trivial Pursuit, I went with my first instinct.

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The final decision was the size. After I had drawn a bunch of the rabbits, I started to think that maybe it didn’t need to be quite that big. I printed out the final rabbit in a range of sizes and decided to go just a little bit smaller.

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Jers was my tattoo artist at Saint Sabrina’s. I tried to draw him out on some advice—he was the professional, after all—but he kept insisting that it was my tattoo and my decision about anything I asked him. Then I realized that the squirrel he was holding on his business card was actually his furry companion, Sparky McFuzznuts. Then I saw the back of the card.

During the process, I quizzed Jers about Sparky. I refused to look at what he was doing. It’s not that I’m afraid of needles or blood, but I just have this habit of psyching myself out and I didn’t want to take any chances. Learning about Sparky was the perfect distraction.

Jers said he rescued Sparky as an orphaned youngster. He nursed him to adulthood and tried to set him free, but Sparky just hung around the yard so Jers accepted him as an indoor companion. Sparky is about three.

It wasn’t too painful. I had figured it would be akin to when my cat CJ is in her basket just to the side of my mouse arm and decides that she needs to be in physical contact with me. She reaches out and doesn’t exactly dig in, but still she kind of grapples my arm and hangs on and it’s prickly. I anticipated that the tattoo would be heavy-duty prickly. It was more like CJ was scratching. Not painful, but quite noticeable.

I endured—adrenalin was definitely in play—but I was very happy when Jers let up and it seemed like he was taking a break. Then, before I could remark, he said, “You’re done!” What? It didn’t even take fifteen minutes. It is a simple design and I had no previous experience to judge by, but I sure wasn’t expecting to be finished that quickly.

It’s been a week and a half and, thankfully, I’ve not had a moment of buyer’s remorse. Jers did a wonderful job and I love my tattoo!

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